TrueAnthem Next Nail In Music Label Coffins

Widgets, advertising, and a couple of prominent music acts listed among the early participants in TrueAnthem's efforts show us why the music world doesn't end at the labels' doorsteps.

We've all heard of Internet phenomenons who crossover to the mainstream, like the Arctic Monkeys and their roots in MySpace. That was one of the early shots in the battle over who should control an artist's livelihood and a fan's interest in music.

Personally we're rooting for the musicians, but it doesn't look pretty. Not that the world of performing live ever did, with loading heavy equipment in and out of clubs, drinks spilled dangerously close to valuable equipment, and the occasional club owner who tries to hold back a little (or a lot) of the agreed-upon fee (always get it in writing.)

The real revenue came from selling tapes/CDs and other merchandise, usually the all-purpose band t-shirt. That's not going to change; performing and physical items represent the revenue a band pulls in to survive, even with a label contract.

With those two items being the way to make money, how much does a publicly-owned, shareholder-driven music label do in developing artists beyond one hit? Stakeholders will not wait for a second album, let alone a third, from an artist. It's up to the musicians themselves to move on from the labels.

Which brings us to Ultraviolet Sound, and we will be interested in seeing who else opts to try the widget route while building a music career.